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  • RightPedia ... Ilya Grigoryewitch Ehrenburg(1891-1967) Moscow, was a Jewish propagandist in the USSR, who agitated for genocide against Germans. Ehrenburg, along with Lazar Kaganovich and Grigory Zinoviev, was one of the most notable Jewish criminal personalities to openly use Bolshevism as a means to exterminate gentiles for the benefit of the Jewish race. In the aftermath of World War II, through the Jewish Anti-Fascist Committee, Ehrenburg was one of the Jewish liars in the Soviet Empire who were involved in formulating the "Holocaust" frame as a blood-libel against the Germans. ...  single most responsible for the "Jewish soap" myth
  • BC.edu Ehrenburg...Adorno... Frankfurt School, Adorno was the son of a Jewish father who converted to Protestantism, and a Catholic mother. He spent the years 1938-1949 in America, and he wrote An Essay on Cultural Criticism and Society (1949) based on his American years of safety but relative public obscurity, which in the postwar years would be followed by his great influence and acclaim in Frankfurt
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  • Ehrenburg

 

Rense Ilya Ehrenburg - The Man  Who Invented The 'Six Million'
Ilya Ehrenberg - The Man 
Who Invented The 'Six Million'
2-3-7
He was a prolific writer, celebrated author of various novels and other works of fiction. He was the top Soviet propagandist during the Second World War. He was a notorious liar and a pathological monster. He was a Jew. 
 
As a a leading member of the Soviet-sponsored Jewish Anti-Fascist Committee, Ilya Ehrenburg appeared at fund-raising rallies in the United States, raising support for the Communist cause while displaying fake bars of soap allegedly manufactured by the Germans from the corpses of dead Jews.
 
But Ehrenburg was perhaps most notorious for his viciously anti-German hate propaganda in World War II. In it, he exhorted Soviet troops to kill  all Germans they encountered without pity.*
 
 
Ilya Grigoryevich Ehrenburg
January 27, 1891 - August 31, 1967 
 
 
In one leaflet entitled "Kill," Ehrenburg incited the simple Russian soldier to treat the Germans as subhuman. The final paragraph concludes:
 
"The Germans are not human beings. From now on, the word 'German' is the most horrible curse. From now on, the word 'German' strikes us to the quick. We have nothing to discuss. We will not get excited. We will kill. If you have not killed at least one German a day, you have wasted that day ... If you cannot kill a German with a bullet, then kill him with your bayonet. If your part of the front is quiet and there is no fighting, then kill a German in the meantime ... If you have already killed a German, then kill another one - there is nothing more amusing to us than a heap of German corpses. Don't count the days, don't count the kilometers. Count only one thing: the number of Germans you have killed. Kill the Germans! ...  - Kill the Germans! Kill!" 
 
And in another leaflet:  "The Germans must be killed. One must kill them ... Do you feel sick? Do you feel a nightmare in your breast? ... Kill a German! If you are a righteous an conscientious man - kill a German! ... Kill!"
 
This is typical of the steady diet of pathological hate fed to millions of Soviet troops by this Jew, safely ensconced far from the front. 
 
But it wasn't only the ordinary German soldier Ehrenburg was talking about, whom he accused of the very atrocities the Communists were themselves committing. Ehrenburg's incendiary writings were, in fact,  a prime motivating factor in the orgy of murder and rape against the  civilian population that took place as Soviet troops rampaged into the heart of Europe. Appealing to the lowest, most subhuman instincts of this  Bolshevik horde, he reiterated his genocidal message:
 
"Kill! Kill! In the German race there is nothing but evil; not one among the living, not one among the yet unborn but is evil! Follow the precepts of Comrade Stalin. Stamp out the fascist beast once and for all in its lair! Use force and break the racial pride of these German women. Take them as your lawful booty. Kill! As you storm onward, kill, you gallant soldiers of the Red Army."
 
The crowning achievement of Ehrenburg's career came on December 22, 1944, when this hate-crazed fiend became the first person to mention the kabbalistic figure of Six Million alleged Jewish victims of National Socialism, and then proceeded to introduce that figure into Soviet propaganda.  
 
After the war he joined with co-racial and fellow propagandist Vasily (Iosif Solomonovich) Grossman to produce a fictitious "Black Book" and  lay the foundation for what has come to be known as "The Holocaust."**  The rest is history.
 
Ehrenburg never forgot his Jewish roots, and before his death he arranged for the transfer of his private archives to the tribal cult center at Yad Vashem in Jerusalem.
 
And so, it is altogether fitting that the birthday of this psychopathic  lie-master should have been chosen as a day on which to remember the hoax which he concocted and of which he was the original inventor.
 
* For a graphic description of some of the more grisly and ghastly atrocities inspired by this Jewish psychopath, see Stalin's War of Extermination by Joachim Hoffmann, the 415-page  documented volume showing what America's Soviet ally was actually like in  the "Good War." Available for $40 from NS Publications.
 
** For an overview of this historical fiction, see The Hoax of the Twentieth Century by Prof. Arthur Butz, the 506-page, illustrated revisionist classic, available for $25 from NS Publications.
 
US orders please include $4 shipping & handling on each order regardless of number of titles. Non-U.S. customers add 25% to the subtotal.  MI residents add 6% sales tax.
 
NS Publications PO Box 188 Wyandotte MI 48192
and Wikipedia propaganda lies
Ilya Ehrenburg was born in Kiev, Russian Empire to a Lithuanian Jewish family; his father was an engineer. Ehrenburg's family was not religiously affiliated; he came into contact with the religious practices of Judaism only through his maternal grandfather. Ehrenburg never joined any religious denomination. He learned no Yiddish, although he edited the Black Book, which was written in Yiddish. He considered himself Russian and, later, a Soviet citizen, but left all his papers to Israel's Yad Vashem. He took strong public positions against antisemitism. He wrote in Russian even during his many years abroad. When Ehrenburg was four years old, the family moved to Moscow, where his father had been hired as director of a brewery.[citation needed] At school, he met Nikolai Bukharin, who was two grades above him; the two remained friends until Bukharin's death in 1938 during the Great Purge. In the aftermath of the Russian Revolution of 1905, both Ehrenburg and Bukharin got involved in illegal activities of the Bolshevik organisation. In 1908, when Ehrenburg was seventeen years old, the tsarist secret police (Okhrana) arrested him for five months. He was beaten up and lost some teeth. Finally he was allowed to go abroad and chose Paris for his exile. In Paris, he started to work in the Bolshevik organisation, meeting Vladimir Lenin and other prominent exiles. But soon he left these circles and the Communist Party. Ehrenburg became attached to the bohemian life in the Paris quarter of Montparnasse. He began to write poems, regularly visited the cafés of Montparnasse and got acquainted with a lot of artists, especially Pablo Picasso, Diego Rivera, Jules Pascin, and Amedeo Modigliani. Foreign writers whose works Ehrenburg translated included those of Francis Jammes. During World War I, Ehrenburg became a war correspondent for a St. Petersburg newspaper. He wrote a series of articles about the mechanized war that later on were also published as a book (The Face of War). His poetry now also concentrated on subjects of war and destruction, as in On the Eve, his third lyrical book. Nikolai Gumilev, a famous symbolistic poet, wrote favourably about Ehrenburg's progress in poetry. In 1917, after the revolution, Ehrenburg returned to Russia. At that time he tended to oppose the Bolshevik policy, being shocked by the constant atmosphere of violence. He wrote a poem called "Prayer for Russia" which compared the Storming of the Winter Palace to rape. In 1920 Ehrenburg went to Kiev where he experienced four different regimes in the course of one year: the Germans, the Cossacks, the Bolsheviks, and the White Army. After antisemitic pogroms, he fled to Koktebel on the Crimea peninsula where his old friend from Paris days, Maximilian Voloshin, had a house. Finally, Ehrenburg returned to Moscow, where he soon was arrested by the Cheka but freed after a short time. He became a Soviet cultural activist and journalist who spent much time abroad as a writer. He wrote modernistic picaresque novels and short stories popular in the 1920s, often set in Western Europe (The Extraordinary Adventures of Julio Jurenito and his Disciples (1922), Thirteen Pipes[1]). Ehrenburg continued to write philosophical poetry, using more freed rhythms than in the 1910s. As a friend of many of the European Left, Ehrenburg was frequently allowed by Stalin to visit Europe and to campaign for peace and socialism. In 1936–39, he was a war journalist in the Spanish civil war, but also got involved directly in the military activities of the Republican camp. World War II[edit] Ehrenburg was active in war journalism throughout World War II. As a consequence, he is one of many Soviet writers, along with Konstantin Simonov and Aleksey Surkov, who have been accused by many of "[lending] their literary talents to the hate campaign" against Germans during World War II.[2] His article "Kill" published in 1942 — when German troops were deeply within Soviet territory — became a widely publicized example of this campaign, along with the poem "Kill him!" by Simonov.[3][4] In "Kill", Ehrenburg wrote: "We shall kill. If you have not killed at least one German a day, you have wasted that day... Do not count days; do not count miles. Count only the number of Germans you have killed." After criticism by Georgy Aleksandrov in Pravda in April 1945,[5] Ehrenburg responded that he never meant wiping out the German people, but only German aggressors who came to our soil with weapons, because "we are not Nazis" who fight with civilians.[6] He wrote already in May 1942 : "The German soldier with weapon in hand is not a man for us, but a fascist. We hate him [...] When the German soldier gives up his weapon and surrenders, we will not touch him with a finger – he will live."[7] Ehrenburg fell into disgrace at that time and it is estimated that Aleksandrov's article was a signal of change in Stalin's policy towards Germany.[8][9] Ehrenburg was a prominent member of the Jewish Anti-Fascist Committee. In 1942 Ehrenburg was a companion to Leland Stowe, an American journalist who traveled to Soviet front lines. In his book They Shall Not Sleep published in the USA in 1944 Stowe describes his interaction with Ehrenburg. Postwar writings[edit] In 1954, Ehrenburg published a novel titled The Thaw that tested the limits of censorship in the post-Stalin Soviet Union. It portrayed a corrupted and despotic factory boss, a "little Stalin", and told the story of his wife, who increasingly feels estranged from him, and the views he represents. In the novel the spring thaw comes to represent a period of change in the characters' emotional journeys, and when the wife eventually leaves her husband this coincides with the melting of the snow. Thus the novel can be seen as a representation of the thaw, and the increased freedom of the writer after the 'frozen' political period under Stalin. In August 1954, Konstantin Simonov attacked The Thaw in articles published in Literaturnaya gazeta, arguing that such writings are too dark and do not serve the Soviet state.[10] The novel gave its name to the Khrushchev Thaw. Just prior to publishing the book, however, Ehrenburg received the Stalin Peace Prize in 1952. Ehrenburg is particularly well known for his memoirs (People, Years, Life), which contain many portraits of interest to literary historians and biographers. In this book Ehrenburg was the first legal Soviet author to mention positively a lot of names banned under Stalin, including the one of Marina Tsvetaeva. At the same time he disapproved of the Russian and Soviet intellectuals who had explicitly rejected Communism or defected to the West. He also criticized writers like Boris Pasternak, author of Doctor Zhivago, for not having been able to understand the course of history. Ehrenburg's memoirs were criticized by the more conservative faction among the Soviet writers, concentrated around the journal Oktyabr. For example, as the memoirs were published, Vsevolod Kochetov reflected on certain writers who are "burrowing in the rubbish heaps of their crackpot memories."[11] For the contemporary reader though, the work appears to have a distinctly Marxist-Leninist ideological flavor characteristic to a Soviet-era official writer. He was also active in publishing the works by Osip Mandelstam when the latter had been posthumously rehabilitated but still largely unacceptable for censorship. Together with Vasily Grossman, Ehrenburg edited the Black Book that contains documentary accounts by Jewish survivors of the Holocaust in the Soviet Union and Poland. Ehrenburg was also active as a poet till his last days, depicting the events of World War II in Europe, the Holocaust and the destinies of Russian intellectuals. Death[edit] Ilya Ehrenburg's grave with a wire reproduction of his portrait by Picasso Ehrenburg died in 1967 of prostate and bladder cancer, and was interred in Novodevichy Cemetery in Moscow, where his gravestone is adorned with a reproduction of his portrait drawn by his friend Pablo Picasso.

 

 

 

Reject NeoNazis and the use of the swastika. It reinforces the Holocaust lie whose central theme is to blame the German people for an event that never occured and lay an interminable guilt upon them in order to extract hundreds of millions in reparations. ... No Jews died in gas chambers in Auschwitz. Hundreds of thousands of Jews did die from typhus, starvation and disease due to the chaos of war and Allied terror bombing of Germany. 60 million people died due to the Jewish Bolshevik Revoltution, Holodomor ... Zionists are trying to rub out this historical fact by endless Holocaust propaganda. The real story is how Zionists and Nazis conspired to enable mass emigration to Palestine to create Israel, the ultimate aim of Zionists...MORE

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